The Elements that Make for a Strong Short Story

There exists no modern literary form that is as little comprehended as is the short work of fiction.

The expression short story is correctly used only if it indicates a shorter piece of fiction, which in turn depicts creatively a small bit of actual life.

The first requisite of a short story is that the author has got a narrative to convey ? that is, a plot. He can deliver beautiful scenes and descriptive images if she or he will, but he or she has to bring to life and humanize them with the introduction of particular characters, patterned after the men and women of the real world; and each of these characters have to move and act and come to life.

In its technique a piece of short fiction demands the utmost care; it lacks the bulk of a book, and that covers minor defects. It has to follow a distinct structure, which must be compact, and which will have its components correctly crafted and connected; and it must be authored in a competent manner.

The shorter narrative is fabricated, and to a substantial extent unrealistic. It couldn?t be anything else, as it singles out of our complex lives one person or even a particular event and addresses it almost like it were complete by itself. This kind of isolation is not known to nature. Yet this kind of isolation and exclusion are needed by the rules of the short story; and of course, there is always the sense, when the characters are well fleshed-out, that they have been living and will continue to live, though we?ve chanced to encounter them for just a short while.

It?s this kind of isolation, this magnifying of just one character or occurrence, that constitutes the primary distinction between the novel and shorter piece of literature. In the novel we?ve got a replica of a particular period of real life: all the characters are there, with their complex lives and their various emotions; there are different scenes, each one of these the stage of some certain incident or semi-climax which pushes the story to the final chapter.

When composing a short story it is really unique. It permits of but one scene and incident, two or three bona fide personalities, along with an individual main emotion. All else may be a detriment to the focus and success of a narrative. A story can not accurately be called a short one unless it possesses a straightforward plot and no extraneous material. In the event that a composition meets each of these requirements, and is successful in stirring powerful sentiments, it may have the possibility to be recognized as a good illustration of writing at its very best.

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Source: http://articlestutor.com/the-elements-that-make-for-a-strong-short-story/

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